In a small village in an ancient mythical Japan, Kubo and his magic shamisen unwittingly summon vengeful spirits who wish lớn harm him và his ailing mother. While on the run, he encounters magical creatures, and learns the truth of his earthly family"s connection to the heaven và stars.
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Kubo & the Two Strings
Kubo and the Two Strings
In a small village in an ancient mythical Japan, Kubo và his magic shamisen unwittingly summon vengeful spirits who wish khổng lồ harm him & his ailing mother. While on the run, he encounters magical creatures, và learns the truth of his earthly family"s connection to lớn the heaven & stars.
In a small village in an ancient mythical Japan, Kubo and his magic shamisen unwittingly summon vengeful spirits who wish to lớn harm him & his ailing mother. While on the run, he encounters magical creatures, and learns the truth of his earthly family"s connection khổng lồ the heaven and stars.
Kubo and the Two Strings
In a small village in an ancient mythical Japan, Kubo and his magic shamisen unwittingly summon vengeful spirits who wish to lớn harm him và his ailing mother. While on the run, he encounters magical creatures, & learns the truth of his earthly family"s connection to the heaven and stars.
" href="https://vimeo.com/243701402">
It takes at least 3-4 months to craft a new puppet from start khổng lồ finish, not including design or testing time. Once a character’s puppet has been created in its finished form for the first time, duplicates can be fabricated more quickly. A principal character can have 28 individual full toàn thân puppets.
Three different leaf boats were constructed using natural elements such as leaves, sticks, & branches. All three boats required approximately 245,450 leaves to lớn coat them.
Set construction is where many of the talented và innovative artists at timnhaviet.vn—including carpenters, mã sản phẩm builders, riggers, scenic painters, landscape artists, and set dressers—came together over a period of roughly 18 months to create dozens of unique locations for Kubo.
The crew uses replacement faces on their puppets lớn allow a wider range of expressions for each character. Many different faces are needed for each individual shot. For example, over 250 unique faces are utilized for one character to create a single shot that lasts only 27 seconds on screen.
The armature is a metal skeleton that allows the puppet to stand upright và hold a pose as it is manipulated by the animator. Each armature is custom made using ball joints, hinge joints, and swivel joints of varying sizes, all of which are designed by our in-house team and machined out of tool steel.
The puppet fabrication department has 50-60 artists & craftspeople of different skills, including painters, sculptors, wig-makers, mold-makers, costumers, armature makers, và more.
Costumes are fitted with tiny weights for a natural sense of gravity. They often have different gauges of wire within their structure, which connects khổng lồ the armature to encourage the costume lớn move realistically along with the character's movements—or khổng lồ achieve independent movement from the character.
To make puppet costumes look realistic, they're sometimes airbrushed or even lightly sanded to "fade" and "age" them in certain areas. They’re often treated with stiffeners and fabric protector to lớn prevent fading from the strong stage lighting or extensive human handling.
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The Sister's cape is made up of 616 individual feathers—each one a quality shape that can only fit into its own specified place. It takes 3-1/2 days for a team of two to lớn apply the feathers và about 100 hours total (per cape) for feather prep, application, và painting.
For the Sister's cape, the underlying armature has 18 custom miniature rivets that are so small they have lớn be made with a surgical needle. 1,898 wire knots are required khổng lồ hold the armature wire in place (there are 949 wire crossings, each knotted twice).
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The best of the nominees might arguably be timnhaviet.vn’s Kubo & the Two Strings,straight from the heart of director Travis Knight.
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